You only a few more days to book your seat at Billie Brown Theatre to see a challenging new play CITY OF GOLD, written by and starring Meyne Wyatt. I say challenging as it a true and real depiction of actor Wyatt’s life as an Aboriginal person in Australia, written with brutal honesty. For us city slickers, it is confronting to see this nation presented this way, and how we indeed make our Indigenous Australian’s feel on a daily basis. We tend to ignore what we don’t see. I certainly walked away speechless, lost for words really. I don’t know if this is because I was surprised or that I felt embarrassed that this level of racism is still happening throughout our cities and country. Either way, it has stuck with me and I congratulate Wyatt for bringing his story to the stage and challenging my perception of this lucky country.
City of Gold an urgent play for our time
Bille Brown Theatre at Queensland Theatre | Previews from Saturday 29 June. Opening Night Thursday July 4
In a powerful and confronting theatre event that is sure to linger in the minds of audiences long after the (figurative) curtain closes, Queensland Theatre presents the world premiere of City of Gold, written by, and starring, the immensely charismatic Meyne Wyatt (The Sapphires, Strangerland, Redfern Now, Neighbours, Black Comedy).
With opening night this Thursday and the season continuing until July 20, City of Gold is a raw and honest look at the challenges facing some young Indigenous Australians working to carve out a future in modern society whilst striving to maintain their connection to community and Country. It’s a stage story everyone needs to experience.
Partially inspired by his own experiences Wyatt has written a wryly funny and sometimes brutal play that will leave audiences questioning their own preconceptions, however well-meaning, about modern Indigenous culture. It’s raw, open, honest story-telling that will resonate with audiences, alternating between shock, inspiration and deeply moving moments. This is a play for people who are interested in being at the cutting edge of the conversation about Indigenous experience in Australia today.
Meyne Wyatt said the story had to be told. “Over the past few years things have happened, there has been something in the air, which all came together to make me actually write this,” he said.
“My dad passed away in 2015 and 18 months later I found myself really disillusioned with the world, the industry and myself. The roles I was auditioning for and getting, reflected the fact I had lost my passion. At the same time in my hometown of Kalgoorlie, a young 14-year-old Aboriginal boy was killed by a hit-and-run driver, who ended up serving just 15 months. And down south, the Adam Goodes story was playing out on and off the footy field. This series of events prompted me to sit down and write City of Gold.”
Meyne said the story has the potential to be divisive. “There’s absolutely controversial lines, acts and characters in City of Gold. There’s also lots of humour. The story dives into dark and deep territory, with the humour a great release valve. I want audiences to find their own spark from this story; and what they find important, is what’s important.”
The talented Wyatt (he’s been nominated for a Sydney Theatre Award in 2011, Logie award 2014 and AACTA Award 2014) will be joined by a highly acclaimed and experienced cast including Matilda Award-winning actor (for Queensland Theatre’s An Octoroon) Anthony Standish, Matilda Award-nominated Jeremy Ambrum (Queensland Theatre’s The Longest Minute, also in Mabo, Cleverman, Secret Daughter) and Logie award-winning Shari Sebbens (Queensland Theatre’s An Octoroon, also in Black is the New White, TV Redfern Now, Black Comedy Film Top End Wedding, Thor: Ragnarok, The Sapphires).
A number of the cast will be making their Queensland Theatre debut including Performing Arts WA (WAAPA) Award-winning actor, Maitland Schnaars (Black Swan State Theatre’s Let The Right One In, Yirri Yaakin Aboriginal Theatre’s Conversations With The Dead, Film I Met a Girl) and Mathew Cooper (Performing Lines The Season, MTC/Neon Lucky Film, The Marshes, Television Janet King, Redfern Now).
Seasoned stage, television and film actor, Christopher Stollery (film Last Cab to Darwin, TV Top of the Lake: China Girl, House of Hanock, Neighbours) will also perform for Queensland Theatre for the first time, fresh from his Sydney Theatre Award nomination for Best Male Actor in a Supporting Role for Ear to the Edge of Time.
The creatives behind City of Gold are some of the country’s most – acclaimed and award-winning. Australian actor and dramaturg Isaac Drandic will direct (based in Cairns, he has been Queensland Theatre’s Resident Dramaturg since 2017), with Dramaturgy by Paige Rattray. Famed design team Simone Tesorieri and Simona Cosentini will bring the set to life, with Nathalie Ryner Costume Designer, Jason Glenwright Lighting Designer and Tony Brumpton Composer and Sound Designer.
City of Gold: The Story
Breythe is a young actor making his way in Sydney when news of his father’s death calls him home to Kalgoorlie. Being back on Country and stretched between the politics of his feisty sister Carina and his dispirited brother Mateo, Breythe struggles to understand how he fits into his family or his community. His father haunts his dreams and an omen of death follows him. This is an electrifying glimpse into the entanglement of present-day and ‘traditional’ Indigenous culture through the eyes of a young man. The world premiere season of City of Gold will continue after Brisbane at Griffin Theatre Company in Sydney from July 26.
CAST
MEYNE WYATT Breythe
JEREMY AMBRUM Cliffhanger
MAITLAND SCHNAARS Dad (Byron Black)
SHARI SEBBENS Carina
MATHEW COOPER Mateo
ANTHONY STANDISH Andrews/Whitman/Reporter/Redneck/Bar Patron
CHRISTOPHER STOLLERY Simmonds/Director/Acting Commander/George/Bar Patron
CREATIVES
ISAAC DRANDIC Director
SIMONE TESORIERI AND SIMONA COSENTINI Set Designers
NATHALIE RYNER Costume Designer
JASON GLENWRIGHT Lighting Designer
TONY BRUMPTON Composer/Sound Designer
SHARI INDRIANI Assistant Director
PAIGE RATTRAY Dramaturg
PIP LOTH Stage Manager
ANALIESE LONG Assistant Stage Manager
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Queensland Theatre is assisted by the Australian Government through the Australia Council, its funding and advisory body. Queensland Theatre is supported by the Queensland Government through Arts Queensland.
Indigenous Theatre at Belvoir supported by The Balnaves Foundation
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